So in a way you are very lucky, like just last night you held an exhibition at the Laboratoria Arte Alameda and now you are here at the Museo Tamayo. It seems like a pretty good time and place for digital art exhibitions. How does the government view ephemeral exhibitions as compared to exhibitions of tangible art objects?
They are supportive. You can organize large exhibitions that provide digital artists what they need and at the same time bring people together. There is not much money in grants and commissions; most of the works that we are exhibiting are work that has already made. It’s just a type of mini-survey of what’s going on. The CyberLounge World, which I help organize, is part of the Museo Tamayo. it’s a space for new media. We also do a lot of promoting of the art in places like Cyber cafes in the area. Net-Art cybercafes can also serve as space for our exhibitions since people can also interact and view works online.

In Centro + Media, the inaugural exhibition at El Centro, you mentioned there would be a battle between “old school Net-Artist”, Can you define “old School Net-Art”?
[laughing] Well, first of all, it’s the kind of Net-Art that I like, it uses GIF animations, HTML and JavaScript – all using the browser languages as a tool of expression.

What do you think about other web mediums like Flash?
I also like it. I don’t have anything against it, it’s also a tool used for expression. If it is autonomous and you say you have an intention then it’s valid.

But you prefer HTML?
[laughing] I love it! But I also like a lot of work done in Flash and Director.

What do you think about the future of net art?
Well, that’s a difficult question. The curatorial name of the project here at the Cyberlounge in the Museo Tamayo is called Immerso like immerse, to immerse yourself. It’s an utopian vision of what the net could be in the future. We are just now experimenting with how we can achieve that immersive lucidity in digital space, just like when we are lucid in dream space, and to belong to a space completely. My vision is that there will be no difference between this reality and the reality we are going to experience in the web. To achieve that it will have to have a more powerful impact. In my work I like to distort these three spaces: the concrete, digital, and mind space. This idea or vision can also be compared to a lucid dream space. A lot of us strive to be lucid in a digital context but it’s more difficult today because you have various interface, like this monitor, but we deal with it. When you are reading a book, the pages are an interface to the story. You are looking at words on paper and reading them, but that interface eventually disappears and suddenly you are inside the situation. This also happens in the cinema, were you lose the outside world. It also happens when you’re online…

Very late at night sometimes actually! When clicking link after link you become lost and don’t know where the hell you are…
I’ve had that feeling. [laughing] With Infomera and a lot of other websites. Those are the ones you fall in love with.

Who are some of your favorite net artists? And why?
I like the work of Brian Makern. His work is really pushing it and is very intimate and passionate. I like a lot of works of Muserna, I really enjoy it because it is a very independent way of expression. They are sort of wacky and has a fine art aspect -It’s not just digital, it’s pure. Also one of the best experience I had was with Hell.com. Hell.com is a collective online piece, a collective expression without boundaries. It doesn't have an origin, it’s like a black dot in the space, it’s a space where things just happen for a finite period of time or season - I was very impressed. X

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