petite mort In this issueLa Premiére No.1 2003
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"You got to think outside of the medium.
…ha ha.. throw an ice-cream sandwich into
the pre-set computer environment..."

"I like that idea. I think I'll give it a try."

"Ice-cream and computers."

 

 

   
   
 

Arthur: There is this anecdote to the decision which Robert Frank made to concentrate solely on making films. He said that he had lost his Leica camera, or it had been stolen. And he thought that was a sign for him to move on, towards making something else, which at the time was film.
For me, the decision to use other methods of art making was not really a specific design but a reaction to my experience going through the photography program at Yale. Which was still very much rooted in "straight" photography---straight here is defined by all of the idea making process done before the shutter was released and recorded on film. I thought that to be the biggest limitation to photography at the time. I still think it is to some degree now. I didn’t like the fact that all of the decision making process of a photograph is ended the moment the shutter button is released. I wanted that process to continue on, which is why I continued on other mediums like painting, video, sound, and so on.

 

 

Pink to Purple, Thai Beach, © Arthur Ou
Arthur Ou, Pink to Purple, Thai Beach,
Instalation view, 2001.

Pink to Purple, Van, © Arthur Ou
Arthur Ou, Pink to Purple, Van,
Silver-Gelatin Print with Acrylic paint, 2001

 

   
  Equation, © Adam Henry

Adam: Robert Frank still looks radical today especially in comparison to what is taught at Yale when we were at school.
Arthur: Yes I think so too. We incorporate other mediums in our practices- sculpture, video, drawing, etc., to address the limitations of the medium. You feel limitations in painting?
Adam: I never felt any limitations till I went to school (kindergarten through graduate). Ha Ha!
Arthur: Education as inhibition.
Adam: Can be.
Painting has a rich history and that makes it more complicated. Duchamp had a great quote where he said that he wants to see photography make people despise painting until something comes along to make photography unbearable. But photography and painting are no longer in opposition. They exist now as two interesting histories with two interesting languages. The medium is definitely no longer the message. A well thought out photo is just as interesting as a well thought out painting, and an unthoughtful painting is just as bad as an unthoughtful photo. I personally think that they both require the mastery of drawing.

 

     
   

Adam Henry. Equation,
Acrylic on canvas, 2001

 

A Few Things Have Happen #5E90, © Adam Henry
   

Adam Henry.
A Few Things Have Happened #16,
Photo collage, 2001

 

     

Arthur: What do you mean by the requirement of the mastery of drawing? Is there a level of craft that each medium must reach?
Adam: I consider drawing a way seeing. Craft has nothing to do with it.
Arthur: Drawing as a transcription of a thought process, so to speak.
Adam: Well, not even a transcription but a practice.
Arthur: Have you been making a lot of drawings?

 

 

 

Untitle (City), © Adam Henry
Adam Henry. Untitle (City)

 

   
 
   
   
  << previous page | pg. 2-2

  Adam: Every minute that my eyes are open I'm trying to make drawings.

Arthur: I see. X
 
 
  Arthur Ou, Once Upon Now - Palace, Graphite on watercolor paper, 2003  

 

Adam Henry is an artist who lives and works in New York. His current exhibitions include "A Slow Read" (Jan. 15, 2004 -Feb. 28, 2004) at Rotunda Gallery in Brooklyn , and "Irrational Exuberance" (Jan. 10 - Feb. 7, 2004) at Stux Gallery in NYC.

Arthur Ou is an artist living in Los Angeles. In his free time, he likes to get out of his car and take on a more pedestrial approach to LA. He is a lecturer at Otis College, and his work can be seen in the Janurary exhibition at the Schindler House of MAK centerfor Art and Architecture L.A.