|
I’m never quite sure how I get here, but I always arrive at
the same place, at the same time. Fade from black as the scene slowly
begins to manifest. First as lines, as a draftsman’s composition
of perspective space. The scene forms itself as a platform, edged
by columns receding towards a vanishing point. The location becomes
recognizable, a subway platform for arriving and departing trains.
Next, tone, color and sound complete the mise en scene. Finally,
with the arrival of the first digression, the platform is transformed
into a stage. A stage to act out, and by acting out, to consume
the detritus of thought left in our minds at the end of the day.
A stage for thoughts where they can play themselves out in ten to
fifteen second vignettes.
The platform stages the manifestation of random thoughts in your
head. Untethered thoughts that swirl unformed and unframed. On this
stage, they are released. The stage is peopled with the faces you
always see, yet never remember. At the deli, on the bus, in line
at the newsstand, waiting at the crosswalk, on advertising placards
in the subway cars. It is a separate process that your brain performs
surreptitiously, unconsciously. Specific, yet random people remembered
to be paired with a particular thought, a certain outfit.
The thoughts always come clothed in white. Some thoughts appear
as diaphanous remnants, an ethereal presence wandering the stage
– never fully formed and never fully absent. Others appear
fully formed in the midst of performance. They are either unbothered
or unaware of the change of clothes and the change of scenery. Others
appear lost in thought. Bespoke in white; perhaps looking for other
actors, perhaps looking for an audience.
Sometimes, I even think that there are porters who clean up the
leftover debris of thoughts.
And then there are, of course, thoughts whose intentions and meaning
will remain a mystery.
“that moment of evening when the light
and the darkness are so evenly balanced that the constraint
of the day and the suspense of night neutralize each other,
leaving absolute mental liberty. It is then that the plight of being
alive becomes attenuated to its least possible dimensions.”
-Thomas Hardy, Tess of the D'Urbervilles |